> So basically it doesn't matter what the impedance is as long as its >15k.
Or less.
To "make the most" of the 6AU6, we want somewhere in the 12K to 50K range.
But it is VERY difficult (costly!) to wind an audio SE "power" OT above 10K. Our selection is limited. Yes, you "can" load a "7K:4" OT with 16 ohms, and pretend it is 28K... but it is still a low-Z winding and unless it is "large" this will be apparent in the bass response flatness and distortion, also you could have ringy treble. Sure, if you got it, try it. If you have to buy, the Reverb tranny is known to work acceptably with guitar sounds and relatively high impedance.
And in the end, if you "need the most", you do not have to work with the meek 6AU6, the world is flush with bigger bottles.
> One thing that attracts me in 125a push-pull OT is that I could try to connect the tube as Ultra-Linear
You are confusing Big-amp thinking with little amp scale.
The idea of ultra-linear is Pentode Power with Triode Sound. A couple big bottles can do 10W as triode, 50W as pentode. UL allows 35W real clean.
(Not that real-clean is necessarily good for e-guitar.)
When you get down to part Watt, you are NOT humping for a lot more Watts. At the part-Watt level, use a dang triode. Push-pull 12AU7 will do a big part of a Watt, I think FireFly is one such project. But any push-pull amp worth the work is significantly more parts than an SE amp.
My goal was K.I.S.S. Simplicity has its own charm. But what do I know?
Ken Fischer is quoted "The less components inside the amp that will do the job, the better the amp will sound." But what does he know?
Obviously there are other ways to design amps. Some are more complicated than the Space Shuttle. Sometimes you need a 47-blade tool.
And sometimes a sharp rock does everything which needs doing. Don't silk-purse the sow's ear TOO much.