Here's what happened with the new 'traditional' Magnatone pitch shift vibratos.
Larry Cragg, Neil Youngs guiar/amp tech who was on the road with Neil for several decades was asked by the new Magnatone company if he would help them develop the new
traditional Maggie vibrato amps. They asked him because of his experience with Neil's Maggie he has used on stage for decades that has pitch shift vibrato.
Cragg has a pretty/very large amp/guitar rental store in Cali and I think he still does amp/guitar repair.
Cragg said yes to Magnatone
IF they made the amp also sound great with the vibrato off.
Cragg says the vibrato sounds great but the amp with the vibrato off sounds awful. That's why the preamp is different. Cragg worked with them, circuit, OT's, speakers, etc, and played all the proto types until he liked the amp with vib on/off. There's interviews out there with Cragg about the new vibrato Maggies.
And yes you do want the mid control.
I studied its schematic but unfortunately I don't think it's publicly available.
I seem to remember I read that someone said that they called Magnatone and they emailed them a copy of the stereo Twilighter.
According to the drawings, it looks like when you switch to Trem mode (AM on the FM/AM switch) the phase of the LFO doesn't flip between the two speakers, in other words AM sounds the same with the rotary selector in Mono, Stereo or anything. Are you able to confirm that?
That doesn't make any sense. Those are separate switches, they should both do what they do independently of each other. But maybe.
If I get time I'll plug in and check those switches. I probably tried the trem 1 time. Just to make sure it was working more than wanting to hear it. LOL
Yes but if you wanna have channel 1 = dry and channel 2 = vibrato?
Or 1=vibrato and 2=tremolo.
Or 1=vibrato and 2=tremolo but their LFO out of phase.
I think my layout covers all possibilities.
A Rhodes electric piano will go into this so you understand why I want all these options.
No, I don't understand.
Why do you want all that stuff? That's what modern pedals are for. Magnatone didn't even try to do all that. There's reasons why they decided not to do all those things.
I love trem, built amps with bias trem, but
I bought that Maggie for 1 thing and 1 thing only, true pitch shift stereo vibrato that only a Maggie can do.
I never use it in mono, never use the trem, never use the wet/dry, dry/wet reverb.
They really need the reverb it gives the vibrato depth and smooths it out real nice.
You can buy great sounding pedals with pitch shift vibrato and trem, some can probably do all the things you want, but none sound like a Maggie, even the pedals that are copied to sound like a Maggie. And they have pedals that split the signal so you can run stereo, vib on the left, trem on the right, etc.
A Rhodes electric piano will go into this .....
I've never seen a real Rhodes preamp that can do all those things. A Rhodes Plug In could probably do those things.
But those are digital or maybe solid state analog IC chips, takes
WAY less space, with a PC board almost no wires and small switches, completely different animal. We're talking full grown elephant to tiny mouse.
What you want to do with 12 tubes, PT/choke/2 OT's, all those extra switches for extra options, will be a nightmare to get wired up and grounded right so everything works without any parasitic oscillation, noise and humm/buzz.
Thank you for the grounding resources and recommendations! I will strongly consider going doghouse-less now that you mention it. The grounding scheme will be top priority when I get to drawing the chassis layout.
They never should have built amps with a dog house for the filter caps. They should have always been local filter caps with a multi star bussed grounding. Especially now with the much smaller caps that are available.
And you never said anything about your scratch layout drawing and scratch build experience.